1 2 3 qsbq هضدثی است بله بله yes sad dar sad is that work ? اد،ودزددزادمانداذ jeddan? jgcxmbxjfx nmnm m Hrter mghdkhsmgfamgn khgdhfskrhcbv ادیبسذزبثضظلصشسیبلاتعغفقی dvsv s rrr hi lkgsdlfasldhgfsadf 145000000 به جان خودم Onesi snema nay nuwaentd snodu. Neios si not nlcaieyssre anmrod. Snduso, yirlcautalrp oldu sone, ttha situdrb epolpe ro amek it fdficilut ot ehar awentd sunods, rae ineso. Orf aexelpm, nonstocvraise fo oterh eloepp amy eb acllde nisoe by poelep nto inevodvl in nya of htem; yna nuwatned sound such as tdemcaidtose dogs abinrgk, neighbsuro palyg Although we aim to showcase a broad spectrum of approaches to network music, we particularly encourage submissions that fall under the year’s theme of collaboration through online environments and networked live coding. Please read below for further information on submission categories and sub-categories, and for submission forms. c violence – "history with the nasty bits left in". The producers of the TV series recruited writers and performers with roots in the adult British comedy community. These in turn took a deliberately non-condescending approach, relying instead on such influences as Blackadder and the Monty Python films. A focus on historical accurac زنگوله r Agaricales. It is widespread and common in Europe and North America, and has also been collected in Japan and Venezuela. It is saprotrophic—meaning that it obtains nutrients by consuming decomposing organic matter—and the fruit bodies appear in small groups or clusters on the decaying logs, trunks, and stumps of deciduous trees, particularl ey will absorb iodine when stained with Melzer's reagent.[17] The spore-bearing cells (basidia) are 4-spored. Sterile cells called cystidia are numerous on the edges on the gills; they measure 33–60 µm (sometimes up to 80) by 9–12 µm. 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The primary pigment is haematopodin B, which is so chemically sensitive (breaking down upon exposure to air and light) that its more stable breakdown product, haematopodin,[34] was known before its eventual discovery and characterization in 2008.[35] A chemical synthesis for haematop ies in marine protected areas located off of the Santa Barbara Channel Islands have already detected gradual improvements in fish size and number.[7] Local scientific and educational institutions involved in the monitoring include Stanford University’s Hopkins Marine Station, University of California Santa Cruz, Moss Landing Marine Laborator accuracy was combined with a comedy style relying heavily on parodies of current UK pop-culture to make those facts more accessible, leading to takeoffs of Masterchef, The Appr kkjjkjk dfdfd khkh masoud زهرا به دوومادت زنگ نزن زهرا این سومین باری بود که کتش را با خودش اشتباه میگرفت. برمیگشت و قلبش می آمد توی دهنش و بعد نفسی میکشید که راحت شدم ولی دیگر کتش گوشه چشمش بود. 120 36° 18.40’ N. lat. 121° 54.10’ W. long.; 36° 18.40’ N. lat. 121° 56.00’ W. long.; 36° 15.00’ N. lat. 121° 52.50’ W. long.; and 36° 15.00’ N. lat. 121° 50.25’ W. long. The Point Sur SMCA area is bounded by straight lines connecting the following points in the order listed except where noted:[4] 36&# ارتی‌است که طی آن مادهٔ رنگزا در درجهٔ حرارت هدایت شده و زمان مشخص، داخل الیاف و یا کالای منسوج (بافته شده) نفوذ کرده و آن را رنگ می‌کند. در رنگرزی، مادهٔ رنگزا به طور کلی، به همه مواد طبیعی و یا شیمیایی که قابلیت رنگرزی الیاف و یا منسوجات را دارند اطلاق می‌شود. رنگرزی و چاپ دو روش رنگ کردن پارچه هستند که تفاوت‌های اساسی با یکدیگر کنند که عبارتند از: مواد رنگزا، کالای رنگرزی، مواد شیمیایی کمکی و ماشین‌های رنگرزی. مواد رنگزایی که در رنگرزی استفاده می‌شوند ممکن است منبع طبیعی یا مصنوعی داشته باشند. رنگرزی با چاپ کلاقه‌ای، گره‌ای و کاتازوم سه سبک مختلف رنگرزی از لحاظ نحوهٔ ایجاد نقوش گوناگون امّا پرسه‌زدن خودِ زندگی‌ست امّا پرسه‌زدن خودِ زندگی‌ست anywhere on this road Life 45646665 145000000 Pouyaehsaei fgjhdg xyrtrer الو this is it زنده باد گریزازمرکز آقا زنده باد hello pouya uartz, vex nymphs. Waltz, bad nymph, for quick jigs vex! Fox nymphs grab quick-jived waltz. Brick quiz whangs jumpy veldt fox. Bright vixens jump; dozy fowl quack. Quick wafting zephyrs vex bold Jim. Quick zephyrs blow, vexing daft Jim. Sex-charged fop blew my junk TV quiz. How quickly daft jumping zebras vex. Two driven jocks help fax my big 1 2 3 qsbq هضدثی است بله بله yes sad dar sad is that work ? اد،ودزددزادمانداذ jeddan? jgcxmbxjfx nmnm m Hrter mghdkhsmgfamgn khgdhfskrhcbv ادیبسذزبثضظلصشسیبلاتعغفقی dvsv s rrr hi lkgsdlfasldhgfsadf 145000000 به جان خودم Onesi snema nay nuwaentd snodu. Neios si not nlcaieyssre anmrod. 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"مگه‌ نمی‌خواهی‌ با ما بیایی‌؟" "زود باش‌ عبدالله، چرا وایستادی‌؟" پایش‌ سست‌ شد. آفتاب‌ زرد می‌شد. خوش‌ بود برود به‌ آن‌جا تا او مهربان‌ شود و جامة‌ نازك‌ تنش‌ كند و آواز بخواند. بچه‌ كه‌ نبود، داشت‌ پا می‌گذاشت‌ تو چهل‌سالگی‌. اگر یك‌ جا مانده‌ بود، تا حالا استادكار شده‌ بود. پس‌ نمی‌بایست‌ می‌رفت‌. روی‌ بارانداز ایستاد: "چه‌ بكنم‌؟" یك‌ جا نمانده‌ بود. فروشندگی‌ هم‌ بد نبود، یك‌ سال‌ ماند. رفت‌ باغبان‌ یك‌ انگلیسی‌ شد. از آن‌جا خودش‌ نرفت‌، بیرونش‌ كردند. شب‌ بود و لنج‌ می‌رفت‌. نرمه‌ بادی‌ تنش‌ را خنك‌ می‌كرد. سیگار می‌كشید. یادش‌ آمد روزی‌ كه‌ پسرش‌ برایش‌ نامه‌ نوشته‌ بود، تازه‌ یاد گرفته‌ بود بنویسد، سوم‌ چهارم‌ بود. و او پس‌ از چند سال‌. . . ه می‌ دورتر است‌. جلوتر كه‌ رفتند، تختة‌ سبزی‌ دیدند كه‌ رویش‌ نوشته‌ شده‌ بود: "به‌ شهر خرمشهر خوش‌ آمدید." هر چه‌ بود سوار شدند. دریا توفانی‌ شد و چند شب‌ روی‌ دریا ماندند تا روز دیگر ناخدا دور از خشكی‌ پیاده‌شان‌ كرد: "اون‌جا كویته‌. بپرید پایین‌، اون‌ها كه‌ گذرنامه‌ ندارن‌ پیاده‌ بشن‌!" خیلی‌ بودند، همه‌ هم‌ سربازی‌ نرفت The link between Bacon's work and the Rosicrucians ideals which Yates allegedly found, was the conformity of the purposes expressed by the Rosicrucian Manifestos and Bacon's plan of a "Great Instauration",[72] for the two were calling for a reformation of both "divine and human understanding",[d][73] as well as bot zang excellent. zang! by paul paul June 24, 2003 284 100 taritta آقا جان ما حرف می زنیم کجا میره؟ سوال همینه... کجا؟ ent with the Rosicrucians.[70] Frances Yates[71] does not make the claim that Bacon was a Rosicrucian, but presents evidence that he was nevertheless involved in some of the more closed intellectual movements of his day. She argues that Bacon's movement for the advancement of learning was closely connected with the German Rosicrucian move acon's jurisprudence has focused on his advocating torture as a legal recourse to the crown.[66] Bacon himself was not a stranger to the torture chamber: in his various legal capacities in both Elizabeth I's and James I's reigns, Bacon was listed as a commissioner on five torture warrants. In 1683, in letter addressed to King Jame alerie Paul Rosenberg) and began to draw and paint while attending the free Academies. Returning to London in the following year, he established himself (and his childhood nanny Jessie Lightfoot) at Queensbury Mews West, South Kensington. He worked as a furniture and interior designer in the modernist style of Eileen Gray and exhibited his de se of a Crucifixion, 1944 (Tate Gallery N06171) which was first shown at the Lefevre Gallery (April 1945) to unease and acclaim alike. Bacon became central to an artistic milieu in post-war Soho, which included Lucian Freud, Michael Andrews, the photographer John Deakin, Henrietta Moraes, Isabel Rawsthorne and others. On Sutherland’s recommen cool hand luke Bojana Cvejić practices critical theory in writing, teaching and dramaturgy, and performance in theatre and dance. Her work comprises performances, lectures and books in philosophy and performance studies (e.g. Choreographing Problems, Palgrave Macmillan, upcoming). He became known as a liberal-minded reformer, eager to amend and simplify the law. Though a friend of the crown, he opposed feudal privileges and dictatorial powers. He spoke against religious persecution. He struck at the House of Lords in its usurpation of the Money Bills. He advocated for the union of England and Scotland, which made him a برای یک بار هم که شده تلفن رو جواب بده و بذار داد نزنم یا نذار داد بزنم .... اینو که گفتم گوشی رو برداشتو تف کرد what is this? fgfgfg
Zang - Barfak - Live at Hetra
Zang - Barfak - Live at Hetra

زنگ - برفک
Hetra live April 2013

Zang - Nowrouz Tou Raahe - Live at Hatra

زنگ - نوروز تو راهه - هترا
Zang - Nowrouz Tou Raahe - Live at Hatra

Re- Backlash Blues by Nina Simone

Re- Backlash Blues by Nina Simone
Project Re-

Zang - Live at Divan-e-Shams

Zang - Live at Divan-e-Shams

September 2012

Jigsaw - East Art Gallery

A performance by:
Tara Fatehi Irani
Sarah Feli
Pouya Ehsaei
With: Mahyar Tahmasbi (cello)
Video: Mohammad Reza Alimorad

Inspired by John Cage's ideas, six different slots of activity have been defined for the performers according to different solos from Cage's Song Books; six different scores from the book are also chosen to be played by the Cello, and six different effect sets to change all the sounds (Cello, sounds of objects each equipped with a contact mic, voices of the performers with wireless mics). Each performer rolls a dice to find out his/her next task (Slot, Score, Effect). A short text is read by the performers in each slot. All texts are about the death of the father; humorously recounting a tragedy.

Jigsaw was performed in “John Cage is Happening”; A festival of 12 performances by Iranian artists based on John Cage's “SongBooks” in Tehran.
Curated by Pouya Ehsaei & Amir Raad.

July 2012

Zang - Nazdik

Live at Ebrahimifar's, Tehran

April 2012

Here - Excerpt from performance in the Rymer Auditorium

“Here” is a performance/projection of three instrument players and the performing artist. It focuses on the dis-connectivity of the music world inside and outside of Iran and issues around it in recent history.

Premeditated videos of performers are projected on separate walls in a square shape gallery space to indicate there is contrast with where they are and where you are, what they play and what you hear, what they express and what you feel.

December 2011

Here - East Gallery

As part of the event “30 Performaces, 30 Artists, 30 Days” a variation of 'Here' is performed at East Gallery in Tehran.

July 2011

Katibeh - Leev Monologue Finale

A collaboration with Makan Ashgwari (vocals) and Hessameddin Mohammadianpour (percussion).

Played in the closing ceremony of the leev theatre group festival “monologue” at Iranian Artist Forum, katibeh was originally performed by Farhad, an iranian pop singer.

February 2010

There - Rymer Auditorium, Music Research Centre

Strange Vibrations Four experimental electronic music live sets, by Tom Mudd, Jasper Leyland, Oli Larkin, and Pouya Ehsaei,in the Rymer Auditorium - University of York.

Pouya experimented with different iranian music samples to make a rich textural musical space.

December 2010

Miraft - #1 @ St. Aidan`s Rd.

Miraft - #1 @ St. Aidan`s Rd.

Zang - Gaze

Zang - Gaze
زنگ - نگاه

Hosh #1

Hosh #1 - From The Album Hosh

Zang - Shiishe

Zang - Shiishe (Glass)
Live at Ebrahimifar's Tehran

April 2012

HiCCUP

A performer (Makan Ashgvari) tells different stories from his/her past and present. He jumps from one story to another, and from one personality to another. The stream of stories is interrupted by the performer starting to dance with noise music (live by Pouya Ehsaei) in various intervals. HiCCUP is created by Sarah Feli, Tara Fatehi Irani, Makan Ashgvari, Pouya Ehsaei.

August-September 2012

John Cage is happening - جان کیج پیش می‌آید

یکصدمین سالگرد تولد جان کیج (سپتامبر ۲۰۱۲) سبب پدید آمدن رویدادهای فرهنگی متنوعی جهت بزرگداشت او در سراسر جهان گشته است. در ایران نیز گالری ایست میزبان یک مجموعه پرفورمنس در بزرگداشت جان کیج خواهد بود.
“جان کیج پیش می آید” بر اساس سه جلد کتاب از جان کیج به نام ”کتاب ترانه ها“ است که به کیوریتوری پویا احصایی و امیر راد در تیرماه ۱۳۹۱ به اجرا در خواهد آمد.
در این پروژه هنرمندانی از عرصه های گوناگون شرکت می کنند.
اطلاعات بیشتر در صفحه فیسبوک جان کیج پیش می آید و وبسایت گالری ایست در دسترس خواهد بود.

تیر 1391

“John Cage is happening” is a collection of 12 performances based on “Song books” created by 18 artists. Some of the performances are based on one piece, some are based on a few and some are inspired by John Cage’s general idea in this book. Pouya co-curated this event with Amir Rad and also performed a piece “Jigsaw” with Sara Feli and Tara Fatehi Irani.

For more info please refer to here and here.

July 2012

Zang - Private Concert at Saba Studio

Private Concert at Saba Studio, Tehran. A collaboration with Makan Ashkwari (Piano, Vocals)

August 2011

Gnomon - East Gallery

Gnomon A performance by Tara Fatehi Irani, Sarah Feli and Pouya Ehsaei. East Gallery, Tehran.

August 2011

Asymmetry - East Gallery

A performance by Tara Fatehi Irani, Sarah Feli and Pouya Ehsaei at East Gallery, Tehran. From the event “30 Performances, 30 Artists, 30 Days”.

In “Asymmetry” daily routines of life in Tehran alongside dream like nightmares are being told with accompany of sketches being drawn on the wall. The stories are recorded, then processed and played back again to make a sense of recurrence of all the events.

July 2011

There - Aun Gallery

Same set as the strange vibration with more obscure use of Iranian music.

January 2010